On 11 April, Mark Davies related the early days of the Oxford and Cambridge (men’s) boat races. The idea came to two school friends, Charles Wordsworth (Christ Church, Oxford), and Charles Merivale (Cambridge). In March 1829 Cambridge University Boat Club issued a challenge to the University of Oxford ‘to row a match at or near London, each in an eight-oared boat, during the ensuing Easter vacation’.
Stephen Davies, boatbuilder at Oxford, was requested to post this challenge ‘in some conspicuous part of his barge’. Davies acted as coach to Oxford college crews, and became known as ‘Professor of Rowing’.
The first race took place at Henley, actually in June 1829; watched by large crowds. Oxford won. The rowers from Oxford wore dark blue, the Christ Church colours; the Cambridge crew was in pink or scarlet. In 1836, after protracted arguments about the course, Cambridge won the second race, from Westminster to Putney. This time the Cambridge boat was adorned with a light blue ribbon.
In 1843, again in Henley, Oxford won, though rowing with only 7 men. Their boat was displayed opposite Grandpont House, near Folly Bridge, where it became rotten and decayed. In 1867 Thomas Randall, a tailor who lived at Grandpont House, purchased it and had it incorporated into the President’s chair inside the university barge.
From 1845 the course was between Putney and Mortlake.
On 10 January, encouraging numbers of members and guests braved a dreich evening to hear Marie-Louise Kerr describe traces of the Romans in Oxfordshire.
Soon after their invasion in AD 43, the Romans established a fort at Alchester (near Bicester). Two wooden gateposts survived, which, from the pattern of the tree rings in their wood, could be dated to AD 44 or 45.
At the Museum of Oxfordshire in Woodstock you can see this tombstone of a legionary who died around AD50. ‘Lucius Valerius Geminus … of the Pollia voting tribe, from Forum Germanorum, veteran of the Second Augustan Legion, aged 50(?), lies here. His heir(s?) had this set up in accordance with his will.’
The most striking Roman site in Oxfordshire is the villa at North Leigh, probably started around AD100, and later hugely extended. You can see remains of hypocausts, and some beautiful mosaic flooring.
Other important Roman, or Romano-British, sites include Cholsey, Goring (where there was a villa with a cold plunge pool), Long Wittenham, and near Broughton Castle.
In answer to a question after her talk, Marie-Louise confirmed that Dorchester had been an important Roman settlement, but suggested that few traces of it have survived.
On 8 November Timothy Walker described the Arboretum’s history from (about) 1712 until 2014, the end of his stint as Director of the Oxford Botanic Garden and Harcourt Arboretum.
In 1710 Sir Simon Harcourt had acquired the Nuneham estate, probably as an investment. His grandson Simon, the first Earl Harcourt, decided to live there, and organized the removal of the then village to its present site along the main road. In 1777 he drowned while rescuing his favourite dog from a well. George, the second Earl, enthusiastically continued laying out the gardens near Nuneham House, with notable herbaceous borders and a new ornamental church (whose dome is prominently visible from several places in Radley).
The earldom died out, and the estate passed to Edward Vernon-Harcourt, archbishop of York, and, in 1861, to one of his sons, William Vernon Harcourt, a clergyman with a keen interest in chemistry. William, working with Charles Daubeny, professor of Botany at Oxford (and saviour of the Botanic Garden) began laying out the Arboretum, planting many oaks and limes, expensively imported redwoods, and rhododendrons along a serpentine path.
In 1904 the estate briefly passed to Sir William Harcourt, who as Liberal Chancellor of the Exchequer in 1894 had reformed and increased estate duties. They may have been a factor in his grandson Viscount Harcourt’s decision in 1948 to sell the estate to the University of Oxford.
Initially the University saw the land as a source of income from forestry. In the 1960s the University proposed to sell it. Cyril Darlington, Professor of Botany, had to campaign for the Arboretum to become an adjunct to the Botanic Garden. From then on the Arboretum has been continually improved and enriched, and now includes two colourful wildflower meadows and a richly stocked pond.
Timothy Walker illustrated his talk with pictures of favourite trees, and revealed some of his pet hates, including the resident feral peafowl, squirrels, and people who trample the bluebells in order to pick the white ones. He described a trip to Heathrow to collect some palm trees from David Mulholland.
In an answer to questions after his talk, Timothy Walker confirmed that the effects of climate heating are visible at the Arboretum in earlier springs and later autumns, and more frequent extreme events such as the great gale of January 1990.
On 10 May Alastair Lack explored the characters of Inspector Morse and his colleague Sergeant Lewis, as depicted in Colin Dexter’s books and three television series.
On holiday in Wales in the early 1970s, reading a poor detective novel, Colin Dexter exclaimed that he could do better. ‘Why don’t you?’ his wife replied. The result was Last Bus to Woodstock, published in 1975 to immediate success, and followed by 12 further Morse novels.
Colin Dexter’s favourite poet was A E Housman. Morse’s early life recalls Housman’s: unhappy in love at Oxford, dropping out without a degree, and initially taking an unsuitable job. Morse becomes a brilliant but wayward detective, still unhappy in love, devoted to opera and real ale. Lewis is the perfect foil: stolid, happily married, and almost always paying for the ale.
The novels make the most of their settings in and near Oxford, for example including Richard Burton and Elizabeth Taylor’s appearance in Dr Faustus at the Playhouse in 1966, as well as pubs in and around Oxford.
From 1987 to 2000 Morse and Lewis appeared in the famous and popular television series based on the novels, and then in further episodes written by gifted scriptwriters. Colin Dexter wanted to cast John Thaw as Morse – an inspired choice – and Kevin Whately was perfectly cast as Lewis. The scripts used Morse and Lewis’s sessions in famous Oxford pubs to recapitulate – for viewers’ benefit – the complex story so far, and to explain their next steps.
After a long day of arduous filming, Thaw in particular disliked being recognized in Oxford pubs, and preferred the relative seclusion of the Randolph Hotel, in what was later named the Morse Bar.
It is estimated that almost 19 million people watched the episode Twilight of the Gods in 1993. The cast included John Gielgud, as Chancellor of the University.
In 1999 Colin Dexter published what he firmly declared to be the last Morse novel, The Remorseful Day, in which Morse dies of a heart attack. This was televised in 2000, and was the 33rd episode. Thaw himself died in 2002. Whately went on to star in a new series, Lewis (without Morse) which also ran for 33 episodes. From 2012 a young Morse has appeared in a third series, Endeavour.
Answering the many questions after his talk, Alastair Lack confirmed that Colin Dexter had often appeared in Morse in cameo roles, including, most unusually, a speaking part as the Bishop of Oxford; and that Morse was often seen parking his famous Jaguar car outside Brasenose College but then, in the next shot, appearing in a different college.
On 12 April Tim Healey explained how pagans and puritans have shaped the celebration of May morning in Oxford. See Tim’s website, May Morning Oxford, for photos and details of recent events on 1 May in Oxford.
Magdalen College choir launches the day at 6 am by singing, from the top of the tower (or, in 2020, online), the Hymnus Eucharisticus. This was (until the current plague forbade it) followed by morris dancing in the streets, and then general shenanigans in the pubs and elsewhere. Historically, the hymn is relatively recent, the dancing is ancient, and the shenanigans go back thousands of years.
The custom of ‘bringing in the May’ (hawthorn blossom) has distant origins in the Celtic festival of Beltane and Roman celebrations of Flora, goddess of the spring. In 1250, the Chancellor of Oxford University forbade ‘… all dancing in masks or with disorderly noises, and all processions of men wearing wreaths and garlands made of leaves of trees or flowers or what not.’
Morris dancing was first documented in England at the Goldsmiths’ feast in 1448. By the 16th century, it was widespread in many villages. At Maytime, there was often a cheery complicity between the parish church authorities, the gentry, and the revellers. But the Puritans were horrified, and in 1589 had the constable of Banbury ‘take down all Maypoles … and repress and put down all Whitsun ales, May games and morris dances and utterly forbid any wakes or fairs …’ In 1648 the Oxford diarist Anthony Wood recorded ‘zealous persecuting of the young people that followed May-Games, by breaking of Garlands, taking away fiddles from Musicians, dispersing Morrice-Dancers, and by not suffering a green bough to be worn in a hat or stuck up at any door, esteeming it a superstition or rather an heathenish custom.’
Jollification returned with the restoration of the monarchy in 1660, and in 1695 Wood recorded that at Magdalen ‘the choral ministers … do, according to an ancient custom, salute Flora every year on the first of May, at four in the morning, with vocal music of several parts.’
In the 18th century, the performance still had a secular character: ‘a merry Concert of both Vocal and Instrumental Music … lasting almost 2 hours.’ Then, according to Dr Routh, President of Magdalen from 1791, one wet May morning the choir just sang the Hymnus Eucharisticus. It was mercifully short, and, being the college Grace, needed no rehearsal.
In Victorian times, a famous painting by Holman Hunt, and Henry Taunt’s photographs and postcards made May morning in Oxford widely known. From 1923 university, town, and (for a while) police morris ‘sides’ have danced in the streets, inviting the famous ‘sides’ from Headington, Abingdon and Bampton to join them, and afterwards enjoying a well-aled morris breakfast in St Edmund Hall. Sides often include a ‘Jack in the Green’, a dancer completely encased in foliage.
In the lively questions and comments after Tim Healey’s talk, Christine Wootton mentioned the vicar’s report of Radley’s May celebrations in 1895. Young Mark Villebois was Jack in the Green. ‘After silently enduring the heat for some time, he at last broke loose from his leafy dungeon, and saved his life.’
May Day at Radley – date unknown but probably 1890s
May Day at Radley – date unknown but probably 1890s
